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MILES ON IT (GHETTO KIDS REMIX) album cover

ISRC

US6XF2400286

MILES ON IT (GHETTO KIDS REMIX)

MARSHMELLO & KANE BROWN
unmatchedNot yet matched in the MLC database

Last verified:

US6XF2400286 is the International Standard Recording Code (ISRC) for the recording "MILES ON IT (GHETTO KIDS REMIX)" by MARSHMELLO & KANE BROWN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACOB TORREY, J MIIRACLE, KANE BROWN, and others.

Format

USCountry
6XFRegistrant
24Year (2024)
00286Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMILES ON IT (GHETTO KIDS REMIX)
IPIJACOB TORREY

People also ask

What is the ISRC for "MILES ON IT (GHETTO KIDS REMIX)" by MARSHMELLO & KANE BROWN?
The ISRC for "MILES ON IT (GHETTO KIDS REMIX)" by MARSHMELLO & KANE BROWN is US6XF2400286.
Who wrote "MILES ON IT (GHETTO KIDS REMIX)"?
"MILES ON IT (GHETTO KIDS REMIX)" was written by JACOB TORREY, J MIIRACLE, KANE BROWN, THOMAS BRATFOSS ERIKSEN, CONNOR MCDONOUGH, CHRISTOPHER COMSTOCK, RILEY MCDONOUGH, JOEL ESTEVAN CASTILLO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US6XF2400286?

US6XF2400286 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MILES ON IT (GHETTO KIDS REMIX)" by MARSHMELLO & KANE BROWN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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