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How Goes the Dynamite? album cover

ISRC

US75Z1110065

How Goes the Dynamite?2

Song: HOW GOES THE DYNAMITE

Justin Jay
matched
Released 2011-10-12

Last verified:

US75Z1110065 is the International Standard Recording Code (ISRC) for the recording “How Goes the Dynamite?” by Justin Jay, released 2011-10-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUSTIN JAY CHERNICK.

Format

USCountry
75ZRegistrant
11Year (2011)
10065Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JUSTIN JAY CHERNICKComposer
ROOK WORLDWIDE PUB OriginalPublisher
DOWNTOWN DMP SONGS RightsAdministratorIPI: 00508176945

Who publishes this song?

ROOK WORLDWIDE PUBOriginalPublisher
DOWNTOWN DMP SONGSRightsAdministrator
IPI: 00508176945
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "How Goes the Dynamite?" by Justin Jay?
The ISRC for "How Goes the Dynamite?" by Justin Jay is US75Z1110065.
Who wrote "How Goes the Dynamite?"?
"How Goes the Dynamite?" was written by JUSTIN JAY CHERNICK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US75Z1110065?

US75Z1110065 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “How Goes the Dynamite?” by Justin Jay. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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