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ISRC

US8K20969811

THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)

PROSOURCE KARAOKE
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US8K20969811 is the International Standard Recording Code (ISRC) for the recording “THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)” by PROSOURCE KARAOKE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANNY SCHOFIELD, JASON MATTHEW QUENNEVILLE, ABEL TESFAYE, and others.

Format

USCountry
8K2Registrant
09Year (2009)
69811Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE GOOD LIFE (IN THE STYLE OF TONY BENNETT)
IPIDANNY SCHOFIELD

People also ask

What is the ISRC for "THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)" by PROSOURCE KARAOKE?
The ISRC for "THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)" by PROSOURCE KARAOKE is US8K20969811.
Who wrote "THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)"?
"THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)" was written by DANNY SCHOFIELD, JASON MATTHEW QUENNEVILLE, ABEL TESFAYE, BRANDON HOLLEMON, RICHARD JAMES HILFIGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US8K20969811?

US8K20969811 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE GOOD LIFE (IN THE STYLE OF TONY BENNETT)” by PROSOURCE KARAOKE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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