ISRC

USA2P1434011

TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]

Song: TONIGHT I CLIMBED THE WALL

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USA2P1434011 is the International Standard Recording Code (ISRC) for the recording “TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALAN EUGENE JACKSON.

Format

USCountry
A2PRegistrant
14Year (2014)
34011Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]

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People also ask

What is the ISRC for "TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]"?
The ISRC for "TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]" is USA2P1434011.
Who wrote "TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]"?
"TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]" was written by ALAN EUGENE JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P1434011?

USA2P1434011 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TONIGHT I CLIMBED THE WALL (ORIGINALLY BY ALAN JACKSON) [KARAOKE VERSION]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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