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4:38AM - BEDROOM REPRISE album cover

ISRC

USA2P1950978

4:38AM - BEDROOM REPRISE2

Song: 4:38AM

FORD.
matched
Released 2021-05-04

Last verified:

USA2P1950978 is the International Standard Recording Code (ISRC) for the recording “4:38AM - BEDROOM REPRISE” by FORD., released 2021-05-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NICK BRADLEY, LISA DESMOND LINDER.

Format

USCountry
A2PRegistrant
19Year (2019)
50978Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NICK BRADLEYComposerLyricist
SONGS OF FOREIGN FAMILY COLLECTIVE OriginalPublisher
LISA DESMOND LINDERComposerLyricist
SONGS OF FOREIGN FAMILY COLLECTIVE OriginalPublisher

Who publishes this song?

SONGS OF FOREIGN FAMILY COLLECTIVEOriginalPublisher
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "4:38AM - BEDROOM REPRISE" by FORD.?
The ISRC for "4:38AM - BEDROOM REPRISE" by FORD. is USA2P1950978.
Who wrote "4:38AM - BEDROOM REPRISE"?
"4:38AM - BEDROOM REPRISE" was written by NICK BRADLEY, LISA DESMOND LINDER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P1950978?

USA2P1950978 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “4:38AM - BEDROOM REPRISE” by FORD.. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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