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Riley the Furniture Man album cover

ISRC

USA370639305

Riley the Furniture Man2

Song: ONLY MAN IN THE WORLD

Georgia Crackers
matched
Released 1997-01-01

Last verified:

USA370639305 is the International Standard Recording Code (ISRC) for the recording “Riley the Furniture Man” by Georgia Crackers, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OMAR RUBEN RILEY.

Format

USCountry
A37Registrant
06Year (2006)
39305Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

OMAR RUBEN RILEYComposerLyricist
WESTBURY MUSIC LIMITED OriginalPublisher100.00%IPI: 00144443097

Who publishes this song?

WESTBURY MUSIC LIMITEDOriginalPublisher
IPI: 00144443097
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Riley the Furniture Man" by Georgia Crackers?
The ISRC for "Riley the Furniture Man" by Georgia Crackers is USA370639305.
Who wrote "Riley the Furniture Man"?
"Riley the Furniture Man" was written by OMAR RUBEN RILEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA370639305?

USA370639305 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Riley the Furniture Man” by Georgia Crackers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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