Halftime (Stand Up & Get Crunk!) album cover

ISRC

USA370952953

Halftime (Stand Up & Get Crunk!)2

Song: HALFTIME

Ying Yang TwinsHomebwoi
matched
Released 2004-01-01

Last verified:

USA370952953 is the International Standard Recording Code (ISRC) for the recording “Halftime (Stand Up & Get Crunk!) by Ying Yang Twins, Homebwoi, released 2004-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAEL ANTOINE CROOMS, DEONGELO HOLMES, ERIC JACKSON, and others.

Format

USCountry
A37Registrant
09Year (2009)
52953Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHalftime (Stand Up & Get Crunk!)

People also ask

What is the ISRC for "Halftime (Stand Up & Get Crunk!)" by Ying Yang Twins?
The ISRC for "Halftime (Stand Up & Get Crunk!)" by Ying Yang Twins, Homebwoi is USA370952953.
Who wrote "Halftime (Stand Up & Get Crunk!)"?
"Halftime (Stand Up & Get Crunk!)" was written by MICHAEL ANTOINE CROOMS, DEONGELO HOLMES, ERIC JACKSON, CARL YOUNG, DEREK CROOMS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA370952953?

USA370952953 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Halftime (Stand Up & Get Crunk!) by Ying Yang Twins, Homebwoi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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