ISRC

USA370993290

SHAKE BODY (INSTRUMENTAL)

Song: BOOM! SHAKE THE ROOM (ALBUM VERSION INSTRUMENTAL)

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USA370993290 is the International Standard Recording Code (ISRC) for the recording “SHAKE BODY (INSTRUMENTAL). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WILLIAM EARL COLLINS, RALPH MIDDLEBROOKS, MARVIN PIERCE, and others.

Format

USCountry
A37Registrant
09Year (2009)
93290Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSHAKE BODY (INSTRUMENTAL)

People also ask

What is the ISRC for "SHAKE BODY (INSTRUMENTAL)"?
The ISRC for "SHAKE BODY (INSTRUMENTAL)" is USA370993290.
Who wrote "SHAKE BODY (INSTRUMENTAL)"?
"SHAKE BODY (INSTRUMENTAL)" was written by WILLIAM EARL COLLINS, RALPH MIDDLEBROOKS, MARVIN PIERCE, NORMAN BRUCE NAPIER, GEORGE JR CLINTON, WALTER MORRISON, LEROY BONNER, CLARENCE SATCHELL, RAY HAYDEN, DAN GLUCKSTEIN, GREGORY JACOBS, ROBERT EASTER, LEE HAGGARD, WAYNE WILLIAMS, MARSHALL JONES, SHAMIN NORONHA, GREGORY A WEBSTER, KEITH MAYBERRY, WILLARD C SMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA370993290?

USA370993290 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SHAKE BODY (INSTRUMENTAL). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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