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ISRC

USA371054345

NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)

Song: NUMBER ONE ENEMY

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USA371054345 is the International Standard Recording Code (ISRC) for the recording “NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATTHEW E. MARSTON, DAISY COBURN.

Format

USCountry
A37Registrant
10Year (2010)
54345Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)
IPIMATTHEW E. MARSTON

Related

Songwriter profiles

MATTHEW E. MARSTONIPI

People also ask

What is the ISRC for "NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)"?
The ISRC for "NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)" is USA371054345.
Who wrote "NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)"?
"NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)" was written by MATTHEW E. MARSTON, DAISY COBURN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371054345?

USA371054345 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NUMBER ONE ENEMY (MADE FAMOUS BY DAISY DARES YOU FEAT. CHIPMUNK)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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