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The Metro (Sigue Sigue Sputnik remix) album cover

ISRC

USA371097201

The Metro (Sigue Sigue Sputnik remix)

Song: THE METRO

Berlin
unmatchedNot yet matched in the MLC database
Released 1999-11-02

Last verified:

USA371097201 is the International Standard Recording Code (ISRC) for the recording "The Metro (Sigue Sigue Sputnik remix)" by Berlin, released 1999-11-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
A37Registrant
10Year (2010)
97201Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOHN CRAWFORDComposer
BERLIN ERA MUSIC OriginalPublisher0.00%
BMG PLATINUM SONGS OriginalPublisher100.00%IPI: 00595808890

Who publishes this song?

BERLIN ERA MUSICOriginalPublisher
BMG PLATINUM SONGSOriginalPublisher
IPI: 00595808890

MLC Song Code

M01602
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "The Metro (Sigue Sigue Sputnik remix)" by Berlin?
The ISRC for "The Metro (Sigue Sigue Sputnik remix)" by Berlin is USA371097201.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371097201?

USA371097201 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Metro (Sigue Sigue Sputnik remix)" by Berlin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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