ISRC

USA371461144

ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)

Song: ALL OR NOTHING

AMERITZ AUDIO KARAOKE
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Last verified:

USA371461144 is the International Standard Recording Code (ISRC) for the recording "ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)" by AMERITZ AUDIO KARAOKE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PATRICK RICHARD MASCALL, MARK PHILIP TAYLOR, LEILA JACKLIN, and others.

Format

USCountry
A37Registrant
14Year (2014)
61144Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)

People also ask

What is the ISRC for "ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)" by AMERITZ AUDIO KARAOKE?
The ISRC for "ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)" by AMERITZ AUDIO KARAOKE is USA371461144.
Who wrote "ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)"?
"ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)" was written by PATRICK RICHARD MASCALL, MARK PHILIP TAYLOR, LEILA JACKLIN, MAISIE JOHNSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371461144?

USA371461144 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ALL OR NOTHING (IN THE STYLE OF FRANK SINATRA)" by AMERITZ AUDIO KARAOKE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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