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ISRC

USA371499982

DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]

Song: DON'T TAKE THE GIRL

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USA371499982 is the International Standard Recording Code (ISRC) for the recording "DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LARRY JOHNSON, CRAIG MARTIN.

Format

USCountry
A37Registrant
14Year (2014)
99982Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]
IPILARRY JOHNSON

Related

Songwriter profiles

LARRY JOHNSONIPICRAIG MARTINIPI

People also ask

What is the ISRC for "DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]"?
The ISRC for "DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]" is USA371499982.
Who wrote "DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]"?
"DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]" was written by LARRY JOHNSON, CRAIG MARTIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371499982?

USA371499982 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DON'T TAKE THE GIRL (IN THE STYLE OF TIM MCGRAW) [KARAOKE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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