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ISRC

USA371499997

NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]

Song: NO PLACE LIKE HOME

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USA371499997 is the International Standard Recording Code (ISRC) for the recording “NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL L OVERSTREET.

Format

USCountry
A37Registrant
14Year (2014)
99997Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]
IPIPAUL L OVERSTREET

Related

Songwriter profiles

PAUL L OVERSTREETIPI

People also ask

What is the ISRC for "NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]"?
The ISRC for "NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]" is USA371499997.
Who wrote "NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]"?
"NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]" was written by PAUL L OVERSTREET.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371499997?

USA371499997 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NO PLACE LIKE HOME (IN THE STYLE OF RANDY TRAVIS) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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