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ISRC

USA371502723

MUSIC OF THE NIGHT

Song: MUSIC OF THE NIGHT (PHANTOM OF THE OPERA)

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USA371502723 is the International Standard Recording Code (ISRC) for the recording “MUSIC OF THE NIGHT”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LLOYD WEBBER, LUTHER HENDERSON.

Format

USCountry
A37Registrant
15Year (2015)
02723Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LLOYD WEBBERComposer
DOCTOR BRASS MUSIC OriginalPublisher0.00%IPI: 00205922979
BRASSWORKS MUSIC RightsAdministrator100.00%IPI: 00039534078
LUTHER HENDERSONComposer
DOCTOR BRASS MUSIC OriginalPublisher0.00%IPI: 00205922979
BRASSWORKS MUSIC RightsAdministrator100.00%IPI: 00039534078

Who publishes this song?

DOCTOR BRASS MUSICOriginalPublisher
IPI: 00205922979
BRASSWORKS MUSICRightsAdministrator
IPI: 00039534078
SourcesMLC

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People also ask

What is the ISRC for "MUSIC OF THE NIGHT"?
The ISRC for "MUSIC OF THE NIGHT" is USA371502723.
Who wrote "MUSIC OF THE NIGHT"?
"MUSIC OF THE NIGHT" was written by LLOYD WEBBER, LUTHER HENDERSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA371502723?

USA371502723 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MUSIC OF THE NIGHT”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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