ISRC

USA560849035

DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)

Song: DON'T STOP THE MUSIC

AVID PROFESSIONAL KARAOKE
matched

Last verified:

USA560849035 is the International Standard Recording Code (ISRC) for the recording "DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)" by AVID PROFESSIONAL KARAOKE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ERIC FAULKNER, STUART WOODS.

Format

USCountry
A56Registrant
08Year (2008)
49035Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ERIC FAULKNERComposer
STUART WOODSComposer

MLC Song Code

SourcesMLC

Verified on

People also ask

What is the ISRC for "DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)" by AVID PROFESSIONAL KARAOKE?
The ISRC for "DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)" by AVID PROFESSIONAL KARAOKE is USA560849035.
Who wrote "DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)"?
"DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)" was written by ERIC FAULKNER, STUART WOODS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA560849035?

USA560849035 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DON’T STOP THE MUSIC (IN THE STYLE OF RIHANNA)" by AVID PROFESSIONAL KARAOKE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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