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ISRC

USA560883004

WORK IT OUT (IN THE STYLE OF BEYONCÉ)

AMERITZ KARAOKE BANDKARAOKE - AMERITZ
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USA560883004 is the International Standard Recording Code (ISRC) for the recording “WORK IT OUT (IN THE STYLE OF BEYONCÉ)” by AMERITZ KARAOKE BAND, KARAOKE - AMERITZ. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MONTAY HUMPHREY, KOREY ROBERSON, HOWARD SIMMONS, and others.

Format

USCountry
A56Registrant
08Year (2008)
83004Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWORK IT OUT (IN THE STYLE OF BEYONCÉ)
IPIMONTAY HUMPHREY

People also ask

What is the ISRC for "WORK IT OUT (IN THE STYLE OF BEYONCÉ)" by AMERITZ KARAOKE BAND?
The ISRC for "WORK IT OUT (IN THE STYLE OF BEYONCÉ)" by AMERITZ KARAOKE BAND, KARAOKE - AMERITZ is USA560883004.
Who wrote "WORK IT OUT (IN THE STYLE OF BEYONCÉ)"?
"WORK IT OUT (IN THE STYLE OF BEYONCÉ)" was written by MONTAY HUMPHREY, KOREY ROBERSON, HOWARD SIMMONS, REGINALD JONES, ANTHONY PLATT, JARVIS GRIFFIN, MIGUEL WILLIS, RICHARD SIMS JR..
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA560883004?

USA560883004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WORK IT OUT (IN THE STYLE OF BEYONCÉ)” by AMERITZ KARAOKE BAND, KARAOKE - AMERITZ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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