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ISRC

USA560955707

Hold on to 18 (original studio demo)

Song: HOLD ON TO 18

Black ’N Blue
matched
Released 2009-04-01

Last verified:

USA560955707 is the International Standard Recording Code (ISRC) for the recording "Hold on to 18 (original studio demo)" by Black ’N Blue, released 2009-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by T. THAYER.

Format

USCountry
A56Registrant
09Year (2009)
55707Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

T. THAYERComposer
WC MUSIC CORP. OriginalPublisher100.00%IPI: 00392888203

Who publishes this song?

WC MUSIC CORP.OriginalPublisher
IPI: 00392888203

MLC Song Code

H09561
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hold on to 18 (original studio demo)" by Black ’N Blue?
The ISRC for "Hold on to 18 (original studio demo)" by Black ’N Blue is USA560955707.
Who wrote "Hold on to 18 (original studio demo)"?
"Hold on to 18 (original studio demo)" was written by T. THAYER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA560955707?

USA560955707 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Hold on to 18 (original studio demo)" by Black ’N Blue. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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