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ISRC

USA561195202

ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]

AMERITZ TOP TRACKS
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USA561195202 is the International Standard Recording Code (ISRC) for the recording “ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]” by AMERITZ TOP TRACKS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANNIE LESLIE ROBOFF, CRAIG MICHAEL WISEMAN.

Format

USCountry
A56Registrant
11Year (2011)
95202Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]
IPIANNIE LESLIE ROBOFF

People also ask

What is the ISRC for "ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]" by AMERITZ TOP TRACKS?
The ISRC for "ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]" by AMERITZ TOP TRACKS is USA561195202.
Who wrote "ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]"?
"ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]" was written by ANNIE LESLIE ROBOFF, CRAIG MICHAEL WISEMAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA561195202?

USA561195202 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ANGEL (IN THE STYLE OF AMANDA PEREZ) [KARAOKE VERSION]” by AMERITZ TOP TRACKS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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