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The Club for Broken Hearts album cover

ISRC

USACU0509938

The Club for Broken Hearts2

Song: CLUB OF BROKEN HEARTS

Trini Lopez
unmatchedNot yet matched in the MLC database
Released 2011-01-01

Last verified:

USACU0509938 is the International Standard Recording Code (ISRC) for the recording “The Club for Broken Hearts” by Trini Lopez, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
ACURegistrant
05Year (2005)
09938Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "The Club for Broken Hearts" by Trini Lopez?
The ISRC for "The Club for Broken Hearts" by Trini Lopez is USACU0509938.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USACU0509938?

USACU0509938 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Club for Broken Hearts” by Trini Lopez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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