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March of the Gladiators album cover

ISRC

USAM17904291

March of the Gladiators

Rick Wakeman
unmatchedNot yet matched in the MLC database
Released 1979-01-01

Last verified:

USAM17904291 is the International Standard Recording Code (ISRC) for the recording "March of the Gladiators" by Rick Wakeman, released 1979-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
AM1Registrant
79Year (1979)
04291Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1979):
Last two digits of the reference year (1979). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RICK WAKEMANComposer
RONDOR MUSIC LONDON LTD. OriginalPublisher0.00%IPI: 00628223163
ALMO MUSIC CORPORATION RightsAdministrator100.00%IPI: 00000649518

Who publishes this song?

RONDOR MUSIC LONDON LTD.OriginalPublisher
IPI: 00628223163
ALMO MUSIC CORPORATIONRightsAdministrator
IPI: 00000649518

MLC Song Code

M34861
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

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People also ask

What is the ISRC for "March of the Gladiators" by Rick Wakeman?
The ISRC for "March of the Gladiators" by Rick Wakeman is USAM17904291.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAM17904291?

USAM17904291 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "March of the Gladiators" by Rick Wakeman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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