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ISRC

USAR10300328

Father, I Stretch My Hands to Thee

Song: FATHER I STRETCH MY HANDS TO THEE

Aretha FranklinMavis Staples
matched
Released 2003-01-01

Last verified:

USAR10300328 is the International Standard Recording Code (ISRC) for the recording "Father, I Stretch My Hands to Thee" by Aretha Franklin, Mavis Staples, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHARLES WESLEY.

Format

USCountry
AR1Registrant
03Year (2003)
00328Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHARLES WESLEYComposer

MLC Song Code

FV811E
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Father, I Stretch My Hands to Thee" by Aretha Franklin?
The ISRC for "Father, I Stretch My Hands to Thee" by Aretha Franklin, Mavis Staples is USAR10300328.
Who wrote "Father, I Stretch My Hands to Thee"?
"Father, I Stretch My Hands to Thee" was written by CHARLES WESLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAR10300328?

USAR10300328 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Father, I Stretch My Hands to Thee" by Aretha Franklin, Mavis Staples. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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