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ISRC

USAR12400023

STARVING (FEAT. TEEZO TOUCHDOWN)

Song: STARVING

AUDREY NUNA FEAT. TEEZO TOUCHDOWN
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USAR12400023 is the International Standard Recording Code (ISRC) for the recording "STARVING (FEAT. TEEZO TOUCHDOWN)" by AUDREY NUNA FEAT. TEEZO TOUCHDOWN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARCUS SEMAJ, AARON THOMAS, MYLES WILLIAM MORAITES, and others.

Format

USCountry
AR1Registrant
24Year (2024)
00023Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "STARVING (FEAT. TEEZO TOUCHDOWN)" by AUDREY NUNA FEAT. TEEZO TOUCHDOWN?
The ISRC for "STARVING (FEAT. TEEZO TOUCHDOWN)" by AUDREY NUNA FEAT. TEEZO TOUCHDOWN is USAR12400023.
Who wrote "STARVING (FEAT. TEEZO TOUCHDOWN)"?
"STARVING (FEAT. TEEZO TOUCHDOWN)" was written by MARCUS SEMAJ, AARON THOMAS, MYLES WILLIAM MORAITES, KHRISTOPHER VAN RIDDICK-TYNES, ANWAR SAWYER, AUDREY CHU, JAKBO RABITSCH, HWANG SOYOON, ARI STAPRANS LEFF, JAKOB RABITSCH, AARON LASHANE THOMAS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAR12400023?

USAR12400023 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "STARVING (FEAT. TEEZO TOUCHDOWN)" by AUDREY NUNA FEAT. TEEZO TOUCHDOWN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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