The Chicago Way album cover

ISRC

USARL1999503

The Chicago Way2

Song: THE CHICAGO WAY

Toronzo Cannon and the Chicago Way
matched
Released 2019-09-20

Last verified:

USARL1999503 is the International Standard Recording Code (ISRC) for the recording “The Chicago Way by Toronzo Cannon and the Chicago Way, released 2019-09-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TORONZO CANNON.

Format

USCountry
ARLRegistrant
19Year (2019)
99503Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TORONZO CANNONComposerLyricist
SMALL SCALE MUSIC OriginalPublisherIPI: 00347966119

Who publishes this song?

SMALL SCALE MUSICOriginalPublisher
IPI: 00347966119
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "The Chicago Way" by Toronzo Cannon and the Chicago Way?
The ISRC for "The Chicago Way" by Toronzo Cannon and the Chicago Way is USARL1999503.
Who wrote "The Chicago Way"?
"The Chicago Way" was written by TORONZO CANNON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USARL1999503?

USARL1999503 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Chicago Way by Toronzo Cannon and the Chicago Way. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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