Midnight Hour Blues album cover

ISRC

USARL2100048

Midnight Hour Blues

Song: MIDNIGHT HOUR BLUES

Elvin BishopCharlie Musselwhite
unmatchedNot yet matched in the MLC database
Released 2020-09-25

Last verified:

USARL2100048 is the International Standard Recording Code (ISRC) for the recording "Midnight Hour Blues" by Elvin Bishop, Charlie Musselwhite, released 2020-09-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
ARLRegistrant
21Year (2021)
00048Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

L. CARRComposer
WABASH MUSIC CO. OriginalPublisher0.00%
UNIVERSAL MUSIC CORP. RightsAdministrator100.00%IPI: 00031312147

Who publishes this song?

WABASH MUSIC CO.OriginalPublisher
UNIVERSAL MUSIC CORP.RightsAdministrator
IPI: 00031312147

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Midnight Hour Blues" by Elvin Bishop?
The ISRC for "Midnight Hour Blues" by Elvin Bishop, Charlie Musselwhite is USARL2100048.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USARL2100048?

USARL2100048 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Midnight Hour Blues" by Elvin Bishop, Charlie Musselwhite. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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