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BALLIN THE JACK album cover

ISRC

USASN0601135

BALLIN THE JACK

Song: BALLIN' THE JACK

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USASN0601135 is the International Standard Recording Code (ISRC) for the recording “BALLIN THE JACK”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRIS SMITH, HENRY JAMES BURRIS, LUTHER HENDERSON.

Format

USCountry
ASNRegistrant
06Year (2006)
01135Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHRIS SMITHComposer
DOCTOR BRASS MUSIC OriginalPublisherIPI: 00205922979
HENRY JAMES BURRISComposer
DOCTOR BRASS MUSIC OriginalPublisherIPI: 00205922979
LUTHER HENDERSONComposer
DOCTOR BRASS MUSIC OriginalPublisherIPI: 00205922979

Who publishes this song?

DOCTOR BRASS MUSICOriginalPublisher
IPI: 00205922979

MLC Song Code

B03685
Verify on MLC Portal →
SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "BALLIN THE JACK"?
The ISRC for "BALLIN THE JACK" is USASN0601135.
Who wrote "BALLIN THE JACK"?
"BALLIN THE JACK" was written by CHRIS SMITH, HENRY JAMES BURRIS, LUTHER HENDERSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASN0601135?

USASN0601135 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “BALLIN THE JACK”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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