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WHAT IT FEELS LIKE (CHOPPED & SCREWED) album cover

ISRC

USASN0602539

WHAT IT FEELS LIKE (CHOPPED & SCREWED)

Song: WHAT IT FEELS LIKE

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USASN0602539 is the International Standard Recording Code (ISRC) for the recording "WHAT IT FEELS LIKE (CHOPPED & SCREWED)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREW JAMES BULLIMORE, JOSHUA PETER RECORD, LINUS JOHAN EKLOW, and others.

Format

USCountry
ASNRegistrant
06Year (2006)
02539Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWHAT IT FEELS LIKE (CHOPPED & SCREWED)
IPIANDREW JAMES BULLIMORE

Related

Songwriter profiles

ANDREW JAMES BULLIMOREIPIJOSHUA PETER RECORDIPILINUS JOHAN EKLOWIPI

People also ask

What is the ISRC for "WHAT IT FEELS LIKE (CHOPPED & SCREWED)"?
The ISRC for "WHAT IT FEELS LIKE (CHOPPED & SCREWED)" is USASN0602539.
Who wrote "WHAT IT FEELS LIKE (CHOPPED & SCREWED)"?
"WHAT IT FEELS LIKE (CHOPPED & SCREWED)" was written by ANDREW JAMES BULLIMORE, JOSHUA PETER RECORD, LINUS JOHAN EKLOW, CHRISTIAN KARLSSON, ROSS NAVOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASN0602539?

USASN0602539 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WHAT IT FEELS LIKE (CHOPPED & SCREWED)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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