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La super chapiadora (remix) album cover

ISRC

USASN1501560

La super chapiadora (remix)

Song: SUPER CHAPIADORA

Jowell & RandyJKingDe La GhettoDJ Blass
matched
Released 2015-08-21

Last verified:

USASN1501560 is the International Standard Recording Code (ISRC) for the recording "La super chapiadora (remix)" by Jowell & Randy, JKing, De La Ghetto, DJ Blass, released 2015-08-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOEL MUNOZ, VLADIMIR FELIX, RANDY ORTIZ.

Format

USCountry
ASNRegistrant
15Year (2015)
01560Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLa super chapiadora (remix)
IPIJOEL MUNOZ

People also ask

What is the ISRC for "La super chapiadora (remix)" by Jowell & Randy?
The ISRC for "La super chapiadora (remix)" by Jowell & Randy, JKing, De La Ghetto, DJ Blass is USASN1501560.
Who wrote "La super chapiadora (remix)"?
"La super chapiadora (remix)" was written by JOEL MUNOZ, VLADIMIR FELIX, RANDY ORTIZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASN1501560?

USASN1501560 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La super chapiadora (remix)" by Jowell & Randy, JKing, De La Ghetto, DJ Blass. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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