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ISRC

USASX1663107

Russia Cast Adrift: VII. Where Are You, O My Father’s House?

Dmitri HvorostovskySt. Petersburg State Symphony OrchestraConstantine OrbelianStyle of Five
Released 2017-06-09

Last verified:

USASX1663107 is the International Standard Recording Code (ISRC) for the recording "Russia Cast Adrift: VII. Where Are You, O My Father’s House?" by Dmitri Hvorostovsky, St. Petersburg State Symphony Orchestra, Constantine Orbelian, Style of Five, released 2017-06-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
ASXRegistrant
16Year (2016)
63107Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Russia Cast Adrift: VII. Where Are You, O My Father’s House?" by Dmitri Hvorostovsky?
The ISRC for "Russia Cast Adrift: VII. Where Are You, O My Father’s House?" by Dmitri Hvorostovsky, St. Petersburg State Symphony Orchestra, Constantine Orbelian, Style of Five is USASX1663107.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASX1663107?

USASX1663107 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Russia Cast Adrift: VII. Where Are You, O My Father’s House?" by Dmitri Hvorostovsky, St. Petersburg State Symphony Orchestra, Constantine Orbelian, Style of Five. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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