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2 Scenes from “The Book of Esther”: no. 1, The Maiden Esther album cover

ISRC

USASX2259206

2 Scenes from “The Book of Esther”: no. 1, The Maiden Esther

Hila PlitmannKindra ScharichAdam MillsteinMax OpferkuchDominic Cheli
Released 2022-10-21

Last verified:

USASX2259206 is the International Standard Recording Code (ISRC) for the recording “2 Scenes from “The Book of Esther”: no. 1, The Maiden Esther” by Hila Plitmann, Kindra Scharich, Adam Millstein, Max Opferkuch, Dominic Cheli, released 2022-10-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
ASXRegistrant
22Year (2022)
59206Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "2 Scenes from “The Book of Esther”: no. 1, The Maiden Esther" by Hila Plitmann?
The ISRC for "2 Scenes from “The Book of Esther”: no. 1, The Maiden Esther" by Hila Plitmann, Kindra Scharich, Adam Millstein, Max Opferkuch, Dominic Cheli is USASX2259206.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASX2259206?

USASX2259206 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “2 Scenes from “The Book of Esther”: no. 1, The Maiden Esther” by Hila Plitmann, Kindra Scharich, Adam Millstein, Max Opferkuch, Dominic Cheli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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