The Late Late Blues album cover

ISRC

USAT20103171

The Late Late Blues

Song: THE LATE LATE BLUES

Milt JacksonJohn Coltrane
unmatchedNot yet matched in the MLC database
Released 1961-01-01

Last verified:

USAT20103171 is the International Standard Recording Code (ISRC) for the recording "The Late Late Blues" by Milt Jackson, John Coltrane, released 1961-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WAYNE JACKSON.

Format

USCountry
AT2Registrant
01Year (2001)
03171Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

WAYNE JACKSONComposer
MJQ MUSIC, INC. OriginalPublisherIPI: 00021047338

Who publishes this song?

MJQ MUSIC, INC.OriginalPublisher
IPI: 00021047338

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "The Late Late Blues" by Milt Jackson?
The ISRC for "The Late Late Blues" by Milt Jackson, John Coltrane is USAT20103171.
Who wrote "The Late Late Blues"?
"The Late Late Blues" was written by WAYNE JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT20103171?

USAT20103171 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Late Late Blues" by Milt Jackson, John Coltrane. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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