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A Different Kind of Pain (radio edit) album cover

ISRC

USAT20506429

A Different Kind of Pain (radio edit)

Song: A DIFFERENT KIND OF PAIN

Cold
matched
Released 2005-01-01

Last verified:

USAT20506429 is the International Standard Recording Code (ISRC) for the recording "A Different Kind of Pain (radio edit)" by Cold, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEREMY MARSHALL, RONALD WARD, SAMUEL MCCANDLESS.

Format

USCountry
AT2Registrant
05Year (2005)
06429Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JEREMY MARSHALLComposer
RONALD WARDComposer
SAMUEL MCCANDLESSComposer

MLC Song Code

D2515L
Verify on MLC Portal →
SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "A Different Kind of Pain (radio edit)" by Cold?
The ISRC for "A Different Kind of Pain (radio edit)" by Cold is USAT20506429.
Who wrote "A Different Kind of Pain (radio edit)"?
"A Different Kind of Pain (radio edit)" was written by JEREMY MARSHALL, RONALD WARD, SAMUEL MCCANDLESS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT20506429?

USAT20506429 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "A Different Kind of Pain (radio edit)" by Cold. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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