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Nearly Witches (Ever Since We Met…) album cover

ISRC

USAT21100129

Nearly Witches (Ever Since We Met…)

Song: NEARLY WITCHES (EVER SINCE WE MET)

Panic! at the Disco
matched
Released 2011-01-01

Last verified:

USAT21100129 is the International Standard Recording Code (ISRC) for the recording "Nearly Witches (Ever Since We Met…)" by Panic! at the Disco, released 2011-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BUTCH WALKER, GEORGE RYAN ROSS, SPENCER SMITH, and others.

Format

USCountry
AT2Registrant
11Year (2011)
00129Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNearly Witches (Ever Since We Met…)
IPIBUTCH WALKER

People also ask

What is the ISRC for "Nearly Witches (Ever Since We Met…)" by Panic! at the Disco?
The ISRC for "Nearly Witches (Ever Since We Met…)" by Panic! at the Disco is USAT21100129.
Who wrote "Nearly Witches (Ever Since We Met…)"?
"Nearly Witches (Ever Since We Met…)" was written by BUTCH WALKER, GEORGE RYAN ROSS, SPENCER SMITH, BRENDON URIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21100129?

USAT21100129 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Nearly Witches (Ever Since We Met…)" by Panic! at the Disco. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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