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COME DOWN (FEAT. TY DOLLA $IGN) album cover

ISRC

USAT21600916

COME DOWN (FEAT. TY DOLLA $IGN)

Song: COME DOWN

PJ
matched

Last verified:

USAT21600916 is the International Standard Recording Code (ISRC) for the recording "COME DOWN (FEAT. TY DOLLA $IGN)" by PJ. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by "TYRONE ""TY DOLLA SIGN"" WILLIAM JR GRIFFIN", ISHMAEL SADIQ MONTAGUE, PARIS JONES, and others.

Format

USCountry
AT2Registrant
16Year (2016)
00916Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCOME DOWN (FEAT. TY DOLLA $IGN)
IPI"TYRONE ""TY DOLLA SIGN"" WILLIAM JR GRIFFIN"

People also ask

What is the ISRC for "COME DOWN (FEAT. TY DOLLA $IGN)" by PJ?
The ISRC for "COME DOWN (FEAT. TY DOLLA $IGN)" by PJ is USAT21600916.
Who wrote "COME DOWN (FEAT. TY DOLLA $IGN)"?
"COME DOWN (FEAT. TY DOLLA $IGN)" was written by "TYRONE ""TY DOLLA SIGN"" WILLIAM JR GRIFFIN", ISHMAEL SADIQ MONTAGUE, PARIS JONES, CYSHAE A. STRACHAN, BRANDON HAMLIN, CARL TAYLOR, DERNST EMILE II, MARK NILAS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21600916?

USAT21600916 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "COME DOWN (FEAT. TY DOLLA $IGN)" by PJ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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