Can’t Feel My Legs (CHOPNOTSLOP REMIX) album cover

ISRC

USAT22002213

Can’t Feel My Legs (CHOPNOTSLOP REMIX)2

Song: CAN T FEEL MY LEGS

Don Toliver
matched
Released 2020-04-17

Last verified:

USAT22002213 is the International Standard Recording Code (ISRC) for the recording “Can’t Feel My Legs (CHOPNOTSLOP REMIX) by Don Toliver, released 2020-04-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EBONY NAOMI OSHUNRINDE, HANS DARY NEREUS, MICHAEL G DEAN, and others.

Format

USCountry
AT2Registrant
20Year (2020)
02213Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCan’t Feel My Legs (CHOPNOTSLOP REMIX)

People also ask

What is the ISRC for "Can’t Feel My Legs (CHOPNOTSLOP REMIX)" by Don Toliver?
The ISRC for "Can’t Feel My Legs (CHOPNOTSLOP REMIX)" by Don Toliver is USAT22002213.
Who wrote "Can’t Feel My Legs (CHOPNOTSLOP REMIX)"?
"Can’t Feel My Legs (CHOPNOTSLOP REMIX)" was written by EBONY NAOMI OSHUNRINDE, HANS DARY NEREUS, MICHAEL G DEAN, CALEB ZACKERY TOLIVER, CHARLES OCANSEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22002213?

USAT22002213 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Can’t Feel My Legs (CHOPNOTSLOP REMIX) by Don Toliver. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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