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Can You Blame Me album cover

ISRC

USAT22002476

Can You Blame Me

Song: CAN YOU BLAME ME

KehlaniLucky Daye
unmatchedNot yet matched in the MLC database
Released 2020-05-08

Last verified:

USAT22002476 is the International Standard Recording Code (ISRC) for the recording "Can You Blame Me" by Kehlani, Lucky Daye, released 2020-05-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVID BROWN, KEHLANI ASHLEY PARRISH, SAMUEL BENJAMIN WISHKOSKI, and others.

Format

USCountry
AT2Registrant
20Year (2020)
02476Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCan You Blame Me
IPIDAVID BROWN

People also ask

What is the ISRC for "Can You Blame Me" by Kehlani?
The ISRC for "Can You Blame Me" by Kehlani, Lucky Daye is USAT22002476.
Who wrote "Can You Blame Me"?
"Can You Blame Me" was written by DAVID BROWN, KEHLANI ASHLEY PARRISH, SAMUEL BENJAMIN WISHKOSKI, DUSTIN BOWIE, MATT CAMPFIELD, NIJA AISHA-ALAYJA CHARLES, DANIEL KLEIN, ANDREW DEXTER WANSEL, MIKE MACGREGOR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22002476?

USAT22002476 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Can You Blame Me" by Kehlani, Lucky Daye. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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