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F*CK THE CLUB (FEAT. GOLDN) album cover

ISRC

USAT22003128

F*CK THE CLUB (FEAT. GOLDN)

Song: FUCK THE CLUB (FEAT. GOLDN)

GOLDN;CHILLPILL
unmatchedNot yet matched in the MLC database
Released 2020-05-07

Last verified:

USAT22003128 is the International Standard Recording Code (ISRC) for the recording “F*CK THE CLUB (FEAT. GOLDN)” by GOLDN;CHILLPILL, released 2020-05-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KEITH VARON, JOSHUA LEWIS GOLDEN, SEAN EDWARD MYERS, and others.

Format

USCountry
AT2Registrant
20Year (2020)
03128Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCF*CK THE CLUB (FEAT. GOLDN)
IPIKEITH VARON

People also ask

What is the ISRC for "F*CK THE CLUB (FEAT. GOLDN)" by GOLDN;CHILLPILL?
The ISRC for "F*CK THE CLUB (FEAT. GOLDN)" by GOLDN;CHILLPILL is USAT22003128.
Who wrote "F*CK THE CLUB (FEAT. GOLDN)"?
"F*CK THE CLUB (FEAT. GOLDN)" was written by KEITH VARON, JOSHUA LEWIS GOLDEN, SEAN EDWARD MYERS, SYDNEY SWIFT, RAVEENA GOLDEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22003128?

USAT22003128 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “F*CK THE CLUB (FEAT. GOLDN)” by GOLDN;CHILLPILL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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