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Hush album cover

ISRC

USAT22100692

Hush

Song: HUSH

The Marías
unmatchedNot yet matched in the MLC database
Released 2021-04-28

Last verified:

USAT22100692 is the International Standard Recording Code (ISRC) for the recording "Hush" by The Marías, released 2021-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARIA AZEVADO, EVAN SORNSTEIN, SHAWN BRICE.

Format

USCountry
AT2Registrant
21Year (2021)
00692Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARIA AZEVADOComposer
EDITION HELDEN OriginalPublisherIPI: 00238111004
EVAN SORNSTEINComposer
EDITION HELDEN OriginalPublisherIPI: 00238111004
SHAWN BRICEComposer
EDITION HELDEN OriginalPublisherIPI: 00238111004

Who publishes this song?

EDITION HELDENOriginalPublisher
IPI: 00238111004
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hush" by The Marías?
The ISRC for "Hush" by The Marías is USAT22100692.
Who wrote "Hush"?
"Hush" was written by MARIA AZEVADO, EVAN SORNSTEIN, SHAWN BRICE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22100692?

USAT22100692 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Hush" by The Marías. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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