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ISRC

USAT22211771

HIT DIFFERENT

TREY SONGZ
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USAT22211771 is the International Standard Recording Code (ISRC) for the recording "HIT DIFFERENT" by TREY SONGZ. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SHELDON MARQUIS RACHAD GRANT, AUSTIN J OWENS, JAMES III FOYE, and others.

Format

USCountry
AT2Registrant
22Year (2022)
11771Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHIT DIFFERENT
IPISHELDON MARQUIS RACHAD GRANT

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Songwriter profiles

SHELDON MARQUIS RACHAD GRANTIPIAUSTIN J OWENSIPIJAMES III FOYEIPITREMAINE ALDON NEVERSONIPIBRANDON LLOYD HESSONIPICLINTEN MATTHIAS FORDIPIJOSHUA TERRELLE COLEMANIPI

People also ask

What is the ISRC for "HIT DIFFERENT" by TREY SONGZ?
The ISRC for "HIT DIFFERENT" by TREY SONGZ is USAT22211771.
Who wrote "HIT DIFFERENT"?
"HIT DIFFERENT" was written by SHELDON MARQUIS RACHAD GRANT, AUSTIN J OWENS, JAMES III FOYE, TREMAINE ALDON NEVERSON, BRANDON LLOYD HESSON, WILLIAM YOHANSE GITTENS, CLINTEN MATTHIAS FORD, JOSHUA TERRELLE COLEMAN, SCOTTY MASSENBURG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22211771?

USAT22211771 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HIT DIFFERENT" by TREY SONGZ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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