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LA (FEAT. KALAN.FRFR) album cover

ISRC

USAT22305947

LA (FEAT. KALAN.FRFR)

Song: LA

NCOGNITANCOGNITA FEAT. KALAN.FRFRKALAN.FRFR
matched

Last verified:

USAT22305947 is the International Standard Recording Code (ISRC) for the recording “LA (FEAT. KALAN.FRFR)” by NCOGNITA, NCOGNITA FEAT. KALAN.FRFR, KALAN.FRFR. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BENJAMIN MCGREGOR WILSON, JASON AVALOS, TODD PRITCHARD, and others.

Format

USCountry
AT2Registrant
23Year (2023)
05947Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLA (FEAT. KALAN.FRFR)
IPIBENJAMIN MCGREGOR WILSON

People also ask

What is the ISRC for "LA (FEAT. KALAN.FRFR)" by NCOGNITA?
The ISRC for "LA (FEAT. KALAN.FRFR)" by NCOGNITA, NCOGNITA FEAT. KALAN.FRFR, KALAN.FRFR is USAT22305947.
Who wrote "LA (FEAT. KALAN.FRFR)"?
"LA (FEAT. KALAN.FRFR)" was written by BENJAMIN MCGREGOR WILSON, JASON AVALOS, TODD PRITCHARD, MIKE RYAN HECTOR, KALAN MONTGOMERY, PAIGE STEVENSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22305947?

USAT22305947 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LA (FEAT. KALAN.FRFR)” by NCOGNITA, NCOGNITA FEAT. KALAN.FRFR, KALAN.FRFR. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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