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We Got You (reprise) album cover

ISRC

USAT22406987

We Got You (reprise)

Song: WE GOT YOU (REPRISE)

Stephen SanchezJoshua HenryTimothy Hughes다니엘 지칼Phillipa SooKenita MillerSasha HutchingsGizel Jiménez
unmatchedNot yet matched in the MLC database
Released 2024-10-18

Last verified:

USAT22406987 is the International Standard Recording Code (ISRC) for the recording "We Got You (reprise)" by Stephen Sanchez, Joshua Henry, Timothy Hughes, 다니엘 지칼, Phillipa Soo, Kenita Miller, Sasha Hutchings, Gizel Jiménez, released 2024-10-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
AT2Registrant
24Year (2024)
06987Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "We Got You (reprise)" by Stephen Sanchez?
The ISRC for "We Got You (reprise)" by Stephen Sanchez, Joshua Henry, Timothy Hughes, 다니엘 지칼, Phillipa Soo, Kenita Miller, Sasha Hutchings, Gizel Jiménez is USAT22406987.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22406987?

USAT22406987 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "We Got You (reprise)" by Stephen Sanchez, Joshua Henry, Timothy Hughes, 다니엘 지칼, Phillipa Soo, Kenita Miller, Sasha Hutchings, Gizel Jiménez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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