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ISRC

USAT22407831

WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)

Song: WHEN HE'S NOT THERE

KEHLANI FEAT. LUCKY DAYE
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USAT22407831 is the International Standard Recording Code (ISRC) for the recording "WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)" by KEHLANI FEAT. LUCKY DAYE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAEL MCGREGOR, KEHLANI ASHLEY PARRISH, DAVID DEBRANDON BROWN, and others.

Format

USCountry
AT2Registrant
24Year (2024)
07831Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)" by KEHLANI FEAT. LUCKY DAYE?
The ISRC for "WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)" by KEHLANI FEAT. LUCKY DAYE is USAT22407831.
Who wrote "WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)"?
"WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)" was written by MICHAEL MCGREGOR, KEHLANI ASHLEY PARRISH, DAVID DEBRANDON BROWN, DUSTIN BOWIE, DYLAN WIGGINS, MATHIAS DANIEL LIYEW, NIK FRASCONA, MORGAN BELANGER, BENJAMIN OLDHAM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT22407831?

USAT22407831 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WHEN HE'S NOT THERE (FEAT. LUCKY DAYE)" by KEHLANI FEAT. LUCKY DAYE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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