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ISRC

USAV72500055

DISGUSTED (OFFICIAL VIDEO)

Song: DISGUSTED

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USAV72500055 is the International Standard Recording Code (ISRC) for the recording “DISGUSTED (OFFICIAL VIDEO)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PEDER LOSNEGAARD, DAWOYNE ENTRE LAWSON, SHYNIECE DENEEN THOMAS, and others.

Format

USCountry
AV7Registrant
25Year (2025)
00055Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDISGUSTED (OFFICIAL VIDEO)
IPIPEDER LOSNEGAARD

Related

Songwriter profiles

PEDER LOSNEGAARDIPIDAWOYNE ENTRE LAWSONIPISHYNIECE DENEEN THOMASIPIDERRICK CARRINGTON GRAYIPIBENJAMIN MCGREGOR WILSONIPIAKSEL ARVID HAUGEIPIJONES BRYANIPI

People also ask

What is the ISRC for "DISGUSTED (OFFICIAL VIDEO)"?
The ISRC for "DISGUSTED (OFFICIAL VIDEO)" is USAV72500055.
Who wrote "DISGUSTED (OFFICIAL VIDEO)"?
"DISGUSTED (OFFICIAL VIDEO)" was written by PEDER LOSNEGAARD, DAWOYNE ENTRE LAWSON, SHYNIECE DENEEN THOMAS, DERRICK CARRINGTON GRAY, BENJAMIN MCGREGOR WILSON, AKSEL ARVID HAUGE, JONES BRYAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAV72500055?

USAV72500055 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “DISGUSTED (OFFICIAL VIDEO)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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