ANGELS WE HAVE HEARD ON HIGH album cover

ISRC

USB4U0851545

ANGELS WE HAVE HEARD ON HIGH

DAVID ARKENSTONEVARIOUS ARTISTS
matched

Last verified:

USB4U0851545 is the International Standard Recording Code (ISRC) for the recording “ANGELS WE HAVE HEARD ON HIGH by DAVID ARKENSTONE, VARIOUS ARTISTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MELODY BOBER.

Format

USCountry
B4URegistrant
08Year (2008)
51545Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MELODY BOBERComposer
WILLIS MUSIC CO. OriginalPublisherIPI: 00784122537

Who publishes this song?

WILLIS MUSIC CO.OriginalPublisher
IPI: 00784122537

MLC Song Code

SourcesMLC

Verified on

People also ask

What is the ISRC for "ANGELS WE HAVE HEARD ON HIGH" by DAVID ARKENSTONE?
The ISRC for "ANGELS WE HAVE HEARD ON HIGH" by DAVID ARKENSTONE, VARIOUS ARTISTS is USB4U0851545.
Who wrote "ANGELS WE HAVE HEARD ON HIGH"?
"ANGELS WE HAVE HEARD ON HIGH" was written by MELODY BOBER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USB4U0851545?

USB4U0851545 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ANGELS WE HAVE HEARD ON HIGH by DAVID ARKENSTONE, VARIOUS ARTISTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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