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ISRC

USBC10300664

Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto

Song: Violin Concerto in D minor, op. 47: II. Adagio di molto

Itzhak PerlmanBoston Symphony OrchestraErich Leinsdorf
Released 1987-01-01

Last verified:

USBC10300664 is the International Standard Recording Code (ISRC) for the recording "Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto" by Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BC1Registrant
03Year (2003)
00664Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto" by Itzhak Perlman?
The ISRC for "Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto" by Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf is USBC10300664.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBC10300664?

USBC10300664 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto" by Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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