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ISRC

USBC10401709

The Harp Being Played by the Ancient People and the Venus and Her Space Children Singing the Song of the Future

Song: Violin Concerto no. 1 in D major, op. 19: III. Moderato – Allegro moderato – Moderato – Piú tranquillo

冨田勲
Released 1979-01-01

Last verified:

USBC10401709 is the International Standard Recording Code (ISRC) for the recording “The Harp Being Played by the Ancient People and the Venus and Her Space Children Singing the Song of the Future” by 冨田勲, released 1979-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BC1Registrant
04Year (2004)
01709Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Harp Being Played by the Ancient People and the Venus and Her Space Children Singing the Song of the Future" by 冨田勲?
The ISRC for "The Harp Being Played by the Ancient People and the Venus and Her Space Children Singing the Song of the Future" by 冨田勲 is USBC10401709.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBC10401709?

USBC10401709 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Harp Being Played by the Ancient People and the Venus and Her Space Children Singing the Song of the Future” by 冨田勲. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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