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ISRC

USBC10800199

Die Jahreszeiten: Hört das laute Getön (Choir)

Song: Die Jahreszeiten, Der Herbst: XXVI. Chor der Landleute und Jäger: Vivace: "Hört! hört das laute Getön" (Chor)

Erwin OrtnerArnold Schoenberg ChorConcentus Musicus WienNikolaus Harnoncourt
Released 2009-12-18

Last verified:

USBC10800199 is the International Standard Recording Code (ISRC) for the recording "Die Jahreszeiten: Hört das laute Getön (Choir)" by Erwin Ortner, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt, released 2009-12-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BC1Registrant
08Year (2008)
00199Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Die Jahreszeiten: Hört das laute Getön (Choir)" by Erwin Ortner?
The ISRC for "Die Jahreszeiten: Hört das laute Getön (Choir)" by Erwin Ortner, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt is USBC10800199.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBC10800199?

USBC10800199 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Jahreszeiten: Hört das laute Getön (Choir)" by Erwin Ortner, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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