ISRC

USBC15900007

Deck the Halls

Mario Lanza
unmatchedNot yet matched in the MLC database
Released 1959-01-01

Last verified:

USBC15900007 is the International Standard Recording Code (ISRC) for the recording "Deck the Halls" by Mario Lanza, released 1959-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BC1Registrant
59Year (1959)
00007Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1959):
Last two digits of the reference year (1959). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

SourcesMusicBrainzNotes2 sources

People also ask

What is the ISRC for "Deck the Halls" by Mario Lanza?
The ISRC for "Deck the Halls" by Mario Lanza is USBC15900007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBC15900007?

USBC15900007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Deck the Halls" by Mario Lanza. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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