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ISRC

USBC17000276

Aida: Atto II, scena 2. “Gloria all'Egitto, ad Iside”

Song: Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)

John AlldisThe John Alldis ChoirLondon Symphony OrchestraErich Leinsdorf
Released 1989-01-01

Last verified:

USBC17000276 is the International Standard Recording Code (ISRC) for the recording "Aida: Atto II, scena 2. “Gloria all'Egitto, ad Iside”" by John Alldis, The John Alldis Choir, London Symphony Orchestra, Erich Leinsdorf, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BC1Registrant
70Year (1970)
00276Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1970):
Last two digits of the reference year (1970). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Aida: Atto II, scena 2. “Gloria all'Egitto, ad Iside”" by John Alldis?
The ISRC for "Aida: Atto II, scena 2. “Gloria all'Egitto, ad Iside”" by John Alldis, The John Alldis Choir, London Symphony Orchestra, Erich Leinsdorf is USBC17000276.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBC17000276?

USBC17000276 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Aida: Atto II, scena 2. “Gloria all'Egitto, ad Iside”" by John Alldis, The John Alldis Choir, London Symphony Orchestra, Erich Leinsdorf. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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