Mein Herr album cover

ISRC

USBC19801389

Mein Herr2

Song: "MEIN HERR (FROM ""CABARET"")"

Alan CummingNatasha Richardson
unmatchedNot yet matched in the MLC database
Released 1998-06-28

Last verified:

USBC19801389 is the International Standard Recording Code (ISRC) for the recording “Mein Herr by Alan Cumming, Natasha Richardson, released 1998-06-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
BC1Registrant
98Year (1998)
01389Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

FRED EBBComposer
JOHN KANDERComposer

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Mein Herr" by Alan Cumming?
The ISRC for "Mein Herr" by Alan Cumming, Natasha Richardson is USBC19801389.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBC19801389?

USBC19801389 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Mein Herr by Alan Cumming, Natasha Richardson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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