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ISRC

USBCJ0782306

STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)

Song: STANDING IN THE WAY OF CONTROL

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USBCJ0782306 is the International Standard Recording Code (ISRC) for the recording “STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NATHAN HOWDESHELL, HANNAH BLILIE, MARY BETH PATTERSON.

Format

USCountry
BCJRegistrant
07Year (2007)
82306Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSTANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)
IPINATHAN HOWDESHELL

Related

Songwriter profiles

NATHAN HOWDESHELLIPIHANNAH BLILIEIPIMARY BETH PATTERSONIPI

People also ask

What is the ISRC for "STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)"?
The ISRC for "STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)" is USBCJ0782306.
Who wrote "STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)"?
"STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)" was written by NATHAN HOWDESHELL, HANNAH BLILIE, MARY BETH PATTERSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USBCJ0782306?

USBCJ0782306 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “STANDING IN THE WAY OF CONTROL (SOULWAX NITE VERSON)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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